Home >Newsletters >September 2003>Features
 
ASA NEWSLETTER
 
 
September 2003
Volume 67
Number 9

Professionalism and the Acquisition of Anesthesia’s Antiquities

Lydia A. Conlay, M.D., Ph.D., Trustee
Wood Library-Museum of Anesthesiology


Anesthesiologists come in many forms as professionals — operating room anesthesia providers, pain medicine physicians, intensivists, educators and many more. Although our daily tasks may differ, many of us are increasingly challenged to do more, better, faster and cheaper. Given the demands of our busy practices, we may or may not have the opportunity in some cases to contemplate the very reasons we entered medicine in the first place. As most of you know, the September issue of the ASA NEWSLETTER is traditionally compiled by representatives of the Wood Library-Museum of Anesthesiology (WLM). This year’s issue addresses just such a topic: professionalism in anesthesiology. In it, articles discuss the origins of professionalism, professionalism in anesthesiology today and distinguishing characteristics of anesthesiologists as professionals even outside the bounds of anesthesiology.

Some of our colleagues have chosen less traditional paths, as detailed in a piece this issue titled “ASA’s World-Class Professionals,” by George S. Bause, M.D. Dr. Bause is a prime example of an individual displaying professionalism “off the beaten path” and of the highest order. Honorary Curator of the WLM and world-renowned expert in the acquisition and display of artifacts related to the history of anesthesiology, his 16-year experience at the WLM began in 1987 with an invitation to consult on the national collection of anesthesia apparatus. Dr. Bause was shocked to find that, following the death of WLM founder Paul M. Wood, M.D., the entire WLM gallery had been dismantled to make way for desks for ASA administrative personnel. There was not a single Copper Kettle or Draeger piece in the entire collection. Astonishingly, the priceless, original Cotton-Boothby Apparatus, the earliest to attempt to measure gas flow, had been flipped upside down to serve as a perch for a stack of wooden crates. Thanks to WLM Librarian Patrick Sim, other priceless items that had been relegated to the dumpster were saved.

One of Dr. Bause’s early projects was the acquisition of a portrait of Sir Humphry Davy by Sir Thomas Lawrence (also known for painting “Pinkie” of “Blueboy and Pinkie” fame). Sir Humphry was a distant uncle of Dr. Bause’s, who had described the medical properties of nitrous oxide, discovered sodium, potassium, barium, calcium and magnesium and invented the first electric light and miner’s lamp. It may come as no surprise that Dr. Bause recognized Sir Humphry’s portrait (aided no doubt by the inscription, “From Lady Davy”) in an antique shop near New Hope, Pennsylvania. Since a resident’s salary could hardly support this acquisition, the family cashed in a life insurance policy to finance the purchase. Two Davy portraits were originally painted by Lawrence: the three-fourth’s life-size is currently on display at the Royal Society in London, and the one-fourth life-size painting is on display at the WLM, courtesy of the Bauses.

It is not easy to imagine Dr. Bause in the dark, smoke-filled rooms of the underground antique world. Yet he has successfully “out-gunned” medical antique dealers worldwide to acquire a Laennec’s prototype stethoscope [Figure 1] and personally traveled to Victoria, British Columbia, Canada, (by hydroplane) to obtain the Eric Webb Chloroform Bottle Collection. The Webb collection is significant for two reasons. First, it is the largest collection of chloroform bottles assembled in the New World. Second, it represents a significant geographical diversification for the WLM acquisition program since most items in the existing collection are from New England and the Midwest.

Figure 1: Laennec’s prototype stethoscope. Photo courtesy of the Wood Library-Museum of Anesthesiology.

Dr. Bause’s most recent and exciting acquisitions have been largely through Internet auctions such as eBay, where he has managed to develop a computer program which places, or “snipes,” the final possible bid for medical artifacts. (Thus, rival bidders do not know in advance of the WLM’s interest, which would no doubt lend authenticity and thus increase an object’s value.) Dr. Bause also has formed a network of supporters (perhaps I should say, cartel) who help to locate interesting artifacts and who also may allegedly decline to bid on a particular item if they know of the WLM’s interest.

One of the most spectacular online acquisitions to date has been a Charriere’s Apparatus, or early French version of a Morton’s inhaler [Figure 2]. (You may recall that Charriere was first to use the “French” calibration for the sizing of tubes.) The inhaler was successfully purchased at auction for a fraction of its estimated six-figure cost. Dr. Bause then flew to Montpelier, France, at his own expense to inspect this purchase and successfully navigated French administrative and customs procedures so that it could legally be taken out of the country. Since the acquisition had not been included in the museum’s budget (and rumor has it that the very frugal president of the WLM became positively apoplectic at the thought of excessive spending), the Bause family generously financed the purchase and donated the inhaler to the WLM. Two of these devices are known to exist in the world today. One is in a museum in Paris, France; the other is now on display in the WLM.

Fig. 2: Charriere’s apparatus. Photo courtesy of the Wood Library-Museum of Anesthesiology.

Dr. Bause also has performed many other less glamorous tasks for the WLM. Perhaps least glamorous of all was initially installing all of the exhibits in the museum without help and without the benefit of air conditioning, which had been shut off over a weekend in July just prior to the dedication of the new building. He also recently, and again almost single-handedly, planned and delivered the WLM-East, a permanent exhibit of anesthesiology artifacts at the ASA Washington Office. This exhibit addresses the theme of American medical heroes who were also anesthesiologists and was designed to appeal to politicians and tourists visiting the building. Dr. Bause also has authored a CD-ROM virtual tour called “Explorations of Anesthesiology Through Time,” scripted this year’s tour-mate audio tour of the WLM and designed the WLM exhibits for every ASA Annual Meeting, including photographic exhibits titled “One Hundred Fifty Years of Obstetric Anesthesia,” “Pediatric Anesthesia Artifacts” and “Monitoring During Anesthesia.”

Cotton-Boothby apparatus, one of the earliest devices to attempt to measure gas flow. Photo courtesy of the Wood Library-Museum of Anesthesiology.

Of course, there are other individuals who have made extraordinary contributions of time, effort or objects to the WLM, no doubt an international treasure of our craft. Yet Dr. Bause’s proficiency with medical artifacts and his energy, enthusiasm and generosity have served to preserve the history of anesthesiology in a way that will benefit our specialty for centuries to come. We owe a genuine debt of gratitude to this true and extraordinary professional. (And some of us wish that we were in those shadowy back rooms with him!)

Thanks to Evan Bause for his contribution to this article.






   
Lydia A. Conlay, M.D., Ph.D., is Professor and Chair, Department of Anesthesiology, Baylor College of Medicine, The Methodist Hospital, Houston, Texas.
Lydia A. Conlay, M.D., Ph.D.




return to top


 

FEATURES

Professionalism and the Wood Library-Museum

ARTICLES

DEPARTMENTS


The views expressed herein are those of the authors and do not necessarily represent or reflect the views, policies or actions of the American Society of Anesthesiologists.

NL Archives

Information for Authors